For the first
Sunday listening of the new year, I chose two albums, reissued in 1998, which
happen to be two of my favorites [I start believing that almost every record in
my music library is among my favorites]
Willie Bobo –
Juicy
Recorded January 1967 and reissued in 1998 with previously
unissued tracks 13-16
Willie Bobo's
music is triangulated between Latin jazz (Mongo Santamaria's division; the
percussionist first gained notice in Santamaria's band), what by the mid-'60s
had come to be called soul-jazz, and good old-fashioned lounge-act kitsch. None
of the three influences overwhelms the others on 1967's Juicy, although from
the lubricious title and cover photo on down, there's a certain "swingin'
at Hef's pad" vibe to the proceedings that makes this album of particular
interest to latter-day hipsters. Most of the song selection consists of
soul-jazz covers of popular hits of the day, from a funky take on Eddie Floyd's
"Knock on Wood" to a bossa nova-fied version of Bob Crewe's
"Music to Watch Girls By," but the real standouts are the small
handful of band originals, particularly the fiery groove of the title track, on
which Bobo's timbales get their hardest workout. The 1998 CD reissue includes a
full half-dozen extras, mostly less-than-revelatory alternate takes and
leftovers, but the restored full-length version of the swell "La Descarga
del Bobo" is a nice touch. [ Review by Stewart Mason – allmusic.com]
Hugh Masekela
- The Boy's Doin' It
Recorded June 1975 and reissued in 1998 with six
[7-12] extra tracks

No other work
during Hugh Masekela's long and fruitful career blended all of his interests --
jazz, funk, pop, Afrobeat, and R&B, plus a little Latin and a lot of disco
-- into such an exciting mixture as 1975's The Boy's Doin' It, his first record
for Casablanca. Influenced by Kool & the Gang as well as the growing
tendency for Latin artists (like Joe Bataan) to cross over toward contemporary
dance trends (and labels), Masekela recruited a few veterans from the Ghanian
highlife band Hedzoleh Soundz -- with whom he'd worked with on one album
before. Recorded in Lagos, Nigeria and dedicated to Fela Kuti, The Boy's Doin'
It has six extended jams, each of which does an excellent job of playing off
deep grooves against ensemble vocals and catchy hooks, with plenty of room for
Masekela's own trumpet and every note polished to a fine '70s sheen. It didn't
matter what type of music fan you were: pop, disco, funk, world music, and any
but the most hidebound jazz purist could get into these tracks. [Review by John
Bush – allmusic.com]
Stay safe and begin enjoying 2022, today!!